“The Bankorgs”
2001–04 Κύρια ενασχόληση η διδακτική. Αρνούμαι το video project. 2004 ξεκινώ να στήνω έργα γλυπτά ξανά, μεγαλύτερων διαστάσεων, μόνο πρόχειρους πειραματισμούς. 2005,06,07 Αρχίζω να αναζητώ το προσωπικό βίωμα, κατανοώ τον σχεδιασμό και την σημασία της προσωπικής αισθητικής χροιάς. 2008 Συνεχίζω να εργάζομαι σε ερευνητική διαδικασία, στην αναζήτηση της ποιητικής. Το προσωπικό τείνει να γίνει μέσο πολιτικής προσέγγισης του κοινού αισθήματος. Το έργο γίνομαι εγώ.
Pages
- ΑΡΧΙΚΗ ΣΕΛΙΔΑ
- Βιογραφικό
- CV - Διδακτική, ερευνητική και συναφής επαγγελματική εμπειρία
- CV - ΚΑΛΛΙΤΕΧΝΙΚΟ – ΕΡΕΥΝΗΤΙΚΟ ΕΡΓΟ
- CV - Workshops/ Προγράμματα / Erasmus BIP / Επισκέψεις σε πανεπιστήμια του Εξωτερικού με το πρόγραμμα ανταλλαγής Erasmus:
- Lecture at the School of Fine Arts, how developed my action at resource of Performance - Δευτέρα 10 / 6 / 2013
- Brief CV
- Presence and actions 2010 - 2013 / Δράσεις 2010 - 2013
- Landscapers plans 2014 - 2015
- Actions 2015
- Έκθεση "Παραχάραξη" 2017
- Solo presentations art project, 2016.
- Solo presentations art project, 2006.
- Πτυχίο - graduation thesis 1996
Τρίτη 12 Απριλίου 2016
SOLO EXHIBITION "(TEST) IN BETWEEN"
KATERINA
ATHANASIOU SOLO EXHIBITION "(TEST) IN BETWEEN"
17 March 2016 ... 05 April 2016 |
Beton7 > Gazi - Votanikos - Kerameikos
Beton7 Gallery presents Katerina Athanasiou's solo exhibition entitled “(test) in between”.
Opening: March 17, 2016, 20:00
Participating artists:
Lea Petrou/The one and the other
Petros Batsiaris/The Garden of Winter
Works by Tassos Vrettos/Benaki Museum
Beton7 Gallery presents Katerina Athanasiou's solo exhibition entitled “(test) in between”. The artist’ s new work constitutes of an installation that extends in three areas. The solo exhibition becomes a collective project: through associations and conciliation with the architecture of the space, a particular individuality reveals itself,
which is attributed to the interaction and the collaborative practices.
At first, the artist welcomes the visitors by inviting them to participate in a specific performance intervention by the artist Lea Petrou. The audience is invited to participate in a process of choice related to color and taste, which converts the viewing of the piece into a living experience.
Then, the viewer encounters a large wall piece by Katerina Athanasiou, based on her personal collection of photographs by Tassos Vrettos, as well as Petros Batsiaris' red carpets environment, exploring the contemporary ways of worship. The artist redefines a new frame for images and objects by other visual artists, creating a new place and invites us to experience the deep sense of faith during a ritual ceremony, freed from social structures and restraints.
Finally, in the third gallery space, the artist invites us to contemplate, to make an imaginary trip, facing the endless, moving away from the body, based on a perspective that fills our consciousness with seduction and becomes a site of worship. The face no longer matters, in contrast with the headless body of ecstasy, where the face is closer, next to you.
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